A CON SHOW INTERVIEW OF KONSHENS

The purpose of media interviews is to extract useful information from persons of interest. The information must be about or from the person of interest. And you use background information to bring fresh information to the fore. This was hardly the case in recent TV interviews of a Jamaican dancehall artiste, ahead of his performance in Kenya.

For starters, it's good broadcast practise for some professional distance to be maintained, between the interviewer and their subject. Even the choice of words should reflect this imaginary but crucial space.

So, it was shocking to hear the host in one of the TV station react to the mere name of the studio guest by saying:

"It's kinda cute name...I like it..."

Cute? I like it? Are the opinions and feelings of the host adding value to the interview?

And when the guest said he was 'in love' with Kenya, again the host let out an unbelievable:

"Yeeey!!"

But it gets worse. At some point, she claps and mumbles something like (it):

"...brought a tear in my eye..."

Then shortly afterwards, she yet again gets all emotional. The Jamaican dancehall artiste says he believes success is a journey not a destination, to which the host replies:

"My gosh I have to write that down...that's awesome..."

It has profusely been already pointed out that this TV presenter was awestruck and openly 'attracted' to the interviewee ('I'm your biggest fan alive'). And I tend to agree. But I'll be quick to also point out that it's part of being human.

I can relate because the time I was on assignment in Kingston, Jamaica, I visited Harmony House production centre, home to reggae living legend, Beres Hammond.

As I awaited a reply to my interview request, I moved to the records shop but had difficulty pointing out to the attendant, which particular song I wanted, in the many CDs on sale. I knew the tune but not the words, let alone the title of the song, so all I could come up with was a terribly off-key hummed rendition.

Then the shop attendant gave me the surprise of my life. Visibly fed up with my awkward query, he suddenly brightened up and told me:

"There's Beres behind you. Let's ask him. Hey Beres....?

I turned and sure enough Beres was there in person. Needless to say, I froze. Up to this day, I can only remember Beres saying he was too busy at that point to grant a TV interview. Nothing about the song I wanted to buy. I eventually took a guess and got the CD with the song, 'Not Over Till It's Done' but I digress.

The point I'm making is that once in a while, one does get overwhelmed to the point of 'acting funny' while in the presence of someone they regard in very high esteem.

However, reason must always prevail in a live studio situation. And that means keeping the focus on the guest. Does the host have to tell us, (and her probably bored interviewee) that in her family, she's in the middle, just like the Jamaican, but only has brothers?

It does help to do thorough research, before the interview, to avoid sounding very ignorant. The artiste comes from Jamaica, an island, meaning the place is surrounded by water. So why ask the guest whether he will be interested in visiting the beaches along Kenya's coastline?

The other host from the TV station that simulated a 'Live' interview of the same artiste, equally failed in this respect. He gloriously displayed his limited 'overstanding' of Jamaica's local music scene.

And when the guest mentioned Bob Marley, I expected a follow-up discussion on the continuing posthumous influence of the late King of Reggae, decades later. But all I got was:

"Do you have a favourite Bob Marley song?"

I'm now more convinced there's no master of all subjects in Kenya, when it comes to conducting TV interviews. Maybe getting a co-host, who is a specialist in the relevant topic, will help bridge the knowledge gap.